|
In addition, only six of the 50 song lyrics explicitly mention the sex of the singer (male or female) and only 17 mention the sex of you. This means that usually the pronouns could refer to either sex for either sex. Furthermore, a pop singer's voice, which could be of either sex, is speaking to us about undesignated yous and Is. Another point of interest is that 94 per cent of the songs mention no time reference and 80 per cent have no place reference. These characteristics allow songs to 'happen' whenever and wherever they are heard. Listeners can make the songs part of their own world and the people in the songs can become people in their own mind. The 'ghost discourse' which constitutes a song lyric only takes on meaning and form in the minds and environments of the people who use the songs. Thus, we can only say what a song 'means' by focusing on listeners and their interpretations, not by looking at the song itself. Lastly, the imprecise and highly affective elements of pop songs allow us to use them as 'teddy-bears-in-the-ear': they are verbal 'strokes' which we can ignore or deliberately misunderstand at no risk; like a teddy bear, the song is still 'there' for us. The widespread use of the Walkman makes this analogy even more concrete. For discussion:Do you agree with the above analysis of pop songs? Do you think most songs fit the above description? Assignment:Find a recent pop song that you like and analyze its lyrics using the above description, answering the following questions:
Go here to see the lyrics for the song "As Time Goes By". Finding Lyrics on the Internet To find lyrics on the Internet, type the title of the song in quotation marks followed by the word "lyrics", for example, "As Time Goes By" lyrics. Adapted from: Murphey, Tim. Music and Song. Oxford: Oxford University Press, 1992, pp.85-6. |
|